| 2023-24 | History of the Royal School of Needlework | KAY-WILLIAMS, Susan |
| 2023/24 | Undressing Antiques (Study Day) | HILL, Mark |
| 2023/24 | Men who made Menswear | NASH, Russell |
| 2023/24 | Dancing Faun: a personal story of a masterpiece | PEARCE, Bertie |
| 2023/24 | Uncompromising Genius: the Life and Work of Frank Lloyd Wright | ROSE, Fiona |
| 2023/24 | Artistic and Literary Chelsea | WHITEHOUSE, Simon |
| 2023/24 | An Actor’s Life | BUTTERWORTH, Tyler |
| 2023/24 | Gloriana: the Art of Elizabeth I | CLARKE, Siobhan |
| 2023/24 | West End Winners – the rise of the British Musical from Noel Coward to Lionel Bart | SNELSON, John |
| 2023/24 | 3 Kings - the Real Story | RAWLINS, Tony |
| 2022/23 | Looking on the Bright Side; cartoonists of genius from Daumier to Matt (Study Day) | VENNING, Barry |
| 2022/23 | History of the City of London as told through its stained glass | MCILDOWIE-JENKINS, Helen |
| 2022/23 | Silent Witness: a journey through the art of Holy Week | MCILDOWIE-JENKINS, Helen |
| 2022/23 | From Restoration to Reformation – theatre from Charles II to David Garrick | JONES, Malcolm |
| 2022/23 | Singing in Secret: William Byrd, Queen Elizabeth and worship under wraps | BURNETT, Sandy |
| 2022/23 | Cutting Edge – London’s New Buildings since 2000 | WARRILLOW, Anna |
| 2022/23 | Art of the Table: Feasts and Fantasy | MEZEY, Nicole |
| 2022/23 | Bombing with Banksey & Co – Graffiti and Street Art of Shoreditch and Spitalfields | MARTINEZ, Pepe |
| 2022/23 | Curves, Colours and Cool: an introduction to mid-century modern | HILL, Mark |
| 2022/23 | Studio-houses of the Holland Park Circle | ROBBINS, Daniel |
| 2022/23 | History of the City of London as told through its stained glass | WARRILLOW, Anna |
| 2022/23 | The Blue Hour: Painting the North | FERNALD, Karin |
| 2022/23 | The Twelve Plants of Christmas | WALKER, Timothy |
| 2021/22 | Castles: the Unquenchable Thirst of William Randolph Hearst | MERDITH, Mark |
| 2021/22 | The Golden Age of Song: Jerome Kern – the ‘Daddy’ of them all | BURLEY, Pip |
| 2021/22 | From Rag Dolls to Robots – a world History of Toys | SAYER, Chloe |
| 2021/22 | Gainsborough and Brown: Art as Nature or Nature as Art? | HOLMES, Caroline |
| 2021/22 | From Errol Flynn to Bottles of Gin: Literary Portraits and their afterlives | TALENT, Annalie |
| 2021/22 | A Very Ceremonial Christmas | JONES, Dr Graham |
| 2021/22 | The Bruges of Van Eyck and Memling | NUTALL, Paula |
| 2021/22 | The Housekeeper’s Tale: the Women who really ran the English Country House | BOASE, Tessa |
| 2021/22 | The Silk Road: wool, cotton and silk | ALEXANDER , Chris Aslan |
| 2021/22 | Man Med and Artists: how the advertising industry exploited fine art | RAWLINS, Tony |
| 2021/22 | The Artists who outwitted the Nazis | WILSON, Matthew |
| 2020/21 | Stamford Raffles, Art Collector, Disc Singapore | HEYWOOD, Denise |
| 2020/21 | The Art of Dance | TOYNBEE-HOLMES, Jennifer |
| 2020/21 | Shakespeare and the birth of modern show business | RAMSAY, Giles |
| 2020/21 | Rupert the Anthropomorphic Bear | SMITH, Howard |
| 2020/21 | Shakespeare and the birth of modern show business | RAMSAY, Giles |
| 2020/21 | The Silk Road | ALEXANDER, Chris Aslan |
| 2020/21 | Cloisters – remarkable Cathedral survivors | GOUGH, Janet |
| 2020/21 | Mars and the Muses: Renaissance Art of Armour | CAPWELL, Tony |
| 2020/21 | Making visions; the jewellery of artist Charles Ricketts | RITCHIE, Helen |
| 2020/21 | From Gatsby to Downton | PRINCE, Andrew |
| 2019/20 | Creativity in UK Prisons | EVANS, Magdalen |
| 2019/20 | Giles: his Life, Times and Cartoons | VENNING, Barry |
| 2019/20 | The Borgias: Most Infamous Family in History? | DUNANT, Sarah |
| 2019/20 | A Brief Story of Wine | WRIGHT, David |
| 2019/20 | Painted Pleats-European Fan Painting | MOSS, Jacob |
| 2019/20 | Zaha Hadid- architectural superstar | DAVIES, Colin |
| 2019/20 | The Glasgow Boys | HALSBY, Julian |
| 2019/20 | Gericault – Slavery and the Raft of the Medusa | LAWSON, Daphne |
| 2018/19 | The GPO Film Unit-the Birth of Doc. Films | SMITH, Howard |
| 2018/19 | Antony Gormley-a body of Work | WHYTE, Rosaling |
| 2018/19 | The Very Model of an English Entertainer- Gilbert & S… | ASKEW, Roger |
| 2018/19 | The Magnificent Maya-Fact & Fantasy | DAVIES, Dr Diane |
| 2018/19 | Cultural Experiments in the Weimar Republic | PLUMLEY, Gavin |
| 2018/19 | A Load of Old Balls | INGLIS, Simon |
| 2018/19 | A Decorative Art-the History of Wallpapers | BANHAM, Jo |
| 2018/19 | Conceptual Art | WARBURTON, Ray |
| 2018/19 | We Sing Yule | DEERE-JONES, Sarah |
| 2018/19 | The Silver Thread | GOWING |
| 2017/18 | Secret Art in the Passport | LLOYD, Martin |
| 2017/18 | Glorious things: discovering Byzantium through its art | RUFUS WARD, Dr Helen |
| 2017/18 | Stonehenge | RICHARDS, Julian |
| 2017/18 | The Lure of Ivory | CAMPBELL PEDERSEN, Maggie |
| 2017/18 | Picasso, Man Ray & Max Ernst | PENROSE, Antony |
| 2017/18 | Red Vibrations: aesthetic and emotional significance… | DRYSDALE, Alexandra |
| 2017/18 | Puppets, piers and pantomimes | STOCKWELL, Alan* |
| 2017/18 | Great Dixter-Past, Present & Future | GARRETT, Fergus |
| 2017/18 | Cutting Edge – London’s New Buildings since 2000 | SWANKEY, Ian |
| 2017/18 | Bronzes of Ife and Benin and an historical view…. | Dr THOMAS, Richard |
| 2017/18 | History of the City of London as told through its stained glass | SWANKEY, Ian |
| 2016/17 | Amazing Bellini Family and birth of Italian Renaissance | ERSKINE-HILL, Patsy |
| 2016/17 | Restoring the Arte of Kent | COVE, Sarah |
| 2016/17 | Edouard Manet: the Rebel in a Frock Coat | HALSBY, Julian |
| 2016/17 | William Blake, Samuel Palmer and the Ancients | OWENS, Susan |
| 2016/17 | The Golden Section – Divine Proportion in Art | EPPS, Alexandra |
| 2016/17 | Children’s Book Illustration | ERICSON, John |
| 2016/17 | The Far Side of the World: Captain James Cook | WARWICK, Peter |
| 2016/17 | Milord Abroad – The Grand Tour | FORRESTER, William |
| 2016/17 | Oh Yes it is, the History of Pantomime | TAPLEY, Jane |
| 2016/17 | Oh Yes it is! The History of Pantomime | TAPLEY, Jane |
| 2016/17 | The Elgin Marbles: a History of Meaning | REED ALAN |
| 2015/16 | What did the Egyptians ever do for Bolton | HYMAN, Jacqueline |
| 2015/16 | Urbino: the one-eyed Duke’s Renaissance | HERBERT, Christopher |
| 2015/16 | From Leonardo to You: History of Art and Science | HOBAN, Sally |
| 2015/16 | A Christmas Pie | DOLMETSCH, Jeanne |
| 2015/16 | 20th Century Art Collectors | IDDON, John |
| 2015/16 | Tea, Opium and Hong Kong – the China trade | CONNER, Patrick |
| 2015/16 | John Singer Sargeant | WOODGATE, Frank |
| 2015/16 | City of London Livery Companies | BERESINER, Yasha |
| 2014/15 | History of the Harp | DEERE-JONES, Sarah |
| 2014/15 | Frederick the Great and his Court | RAYMAN, Caroline |
| 2014/15 | Iran and Afganistan – Woven Art | MACDONALD, Brian |
| 2014/15 | Diagalev and the Ballets Russes | CLARKE, Theodora |
| 2014/15 | The Art of the Japanese Garden | CONTE-HELM |
| 2014/15 | Image and Devotion- Daily life in Monasteries | ROSEWELL, Roger |
| 2014/15 | The History of Punch and Judy | PEARCE, Bertie |
| 2014/15 | The Making of the Sun King | HEARD, Martin |
| 2014/15 | Magna Carta | SHENTON, Dr Caroline |
| 2013/14 | 500 years of English church silver | SCHRODER, Timothy |
| 2013/14 | Peter Breughel the Elder | DUFFY, Stephen |
| 2013/14 | Scandinavian glass Ørrefors-Ikea | MCCONNELL, Andy |
| 2013/14 | Jewellery Rene Lalique | MERCHANT, Nicholas |
| 2013/14 | Golden age Royal Navy | WARWICK, Peter |
| 2013/14 | Australian country house | MITCHELL, Roger |
| 2013/14 | War artists, spies and art of deception | REED, Nicholas |
| 2013/14 | Town mouse, country mouse Beatrix Potter | MERRY, Elisabeth |
| 2013/14 | Rene Lalique | MERCHANT, Nicholas |
| 2013/14 | Age of Chivalry | CORBY, Mark |
| 2013/14 | Troy, myth, history, archeology | KERSHAW, Stephen |
| 2012/13 | Stunners: Pre-Raphaelite models and muses | ANDERSON, Anne |
| 2012/13 | Are you sitting comfortably? Chairs | KARCEWSKI-SLOWIKOWSKY, J |
| 2012/13 | Frome hoard; largest pot of Roman coins found in GB | MOOREHEAD, Sam |
| 2012/13 | Inessential necessities in 18th Century England | MOTLEY, Naomi |
| 2012/13 | Houses & gardens of Bordeaux region | MCCABE, Helen |
| 2012/13 | The Olympic Games: Chariots fire | GUISE, Hilary |
| 2012/13 | Fine art of crime; fakes & forgeries | KENWOOD, Malcolm |
| 2012/13 | Life & Art of Marianne North botanist | WAY, Twigs |
| 2012/13 | Narrative painting in Renaissance Venice | BROOK, Caroline |
| 2012/13 | Behind the Painted Veil: arts of Islamic Persia | OSBORNE, John |
| 2012/13 | Life of intrepid Marianne North botanist | WAY, Twigs |
| 2012/13 | The Frome Hoard | MOOREHEAD, Sam |
| 2011/12 | Flowers in Renaissance art | FISHER, Celia |
| 2011/12 | Aboriginal art from the Australian desert | HOSSACK, Rebecca |
| 2011/12 | Christmas Dickens (Bi-centenary lecture) | WHEELER, Michael |
| 2011/12 | Flights of angels: stained glass in the 19th century | ROGERS, Christopher |
| 2011/12 | 100 years of Russian music and art | SLOPE, Nick & CASEN, Petra |
| 2011/12 | Elizabethan Textiles from our great country houses | WHITE, Gillian |
| 2011/12 | Posters of the Belle Epoque | HARRIS, Charles |
| 2011/12 | Angels, Saints and virgins: art of Hispanic Andes | PARLBY, Geri |
| 2011/12 | Giorgio Vasari, Artist, Architect and Art Historian | SMITH, Shirley |
| 2011/12 | The Nymph on the Plinth: British public sculpture | CROSS, David |
| 2010/11 | Art of illusion and trompe l’oeil | ERRINGTON, Tom |
| 2010/11 | Tibet, roof of the world | FLEMING, Zara |
| 2010/11 | Mosaics of Ravenna | HERBERT, Rt Rev Christopher |
| 2010/11 | South Pacific, Cook to Gaugin | PRIMO, Leslie |
| 2010/11 | Art inspired by wine | ERICSON, John |
| 2010/11 | Story of Waldorf Astoria hotel | ALEXANDER, Mary |
| 2010/11 | Welsh quilts and their story | JONES, Jen |
| 2010/11 | Travel/pilgrimage/Middle Ages | CORRIGAN, Imogen |
| 2010/11 | King George III the most cultured monarch | EVERETT, Oliver |
| 2010/11 | Tibet, roof of the world | FLEMING, Zara |
| 2009/10 | Lee Miller and Picasso | PENROSE, Antony |
| 2009/10 | Murder, Sex and Mayhem in English Churches | VIGAR, John |
| 2009/10 | Mackintosh and Glasgow | BINFIELD, Clyde |
| 2009/10 | Iona, Lindisfarne - Glory of the north | WRIGHT, Patricia |
| 2009/10 | Festive food/customs Georgians/Victorians | TAPLEY, Jane |
| 2009/10 | Exquisite rare vessels for perfume | HAWORTH, Anne |
| 2009/10 | History of the skyscraper | STREETER, Anthea |
| 2009/10 | Celebration of Christmas music and painting | CANETTY-CLARKE, Janet |
| 2008/09 | Nicholas Hilliard & Isaac Oliver | LEDER, Carolyn |
| 2008/09 | Constable’s landscapes 1820-30s | COVE, Sarah |
| 2008/09 | Jennie Lind – the Swedish nightingale | HUGHES, Frances |
| 2008/09 | Life in Edwardian & Victorian country house | ANDERSON, Scott |
| 2008/09 | Tea, coffee & choc in the 18th century | REYNOLDS, Dinah |
| 2008/09 | Gold, frankincense & myrrh: why? | DUNCAN, Tom |
| 2008/09 | Treasures from Royal Collections | EVERETT, Oliver |
| 2008/09 | Introduction to organic gem materials | CAMPBELL PEDERSEN, Maggie |
| 2008/09 | Art/perception: Magritte, Escher, etc | PHILLIPS, David |
| 2008/09 | Photography as fine art | SLATER, Brian |
| 2007/08 | Puccini’s femmes fatales | HAGUE-HOLMES, Digby |
| 2007/08 | Monks: dyname behind European culture | WRIGHT, Patricia |
| 2007/08 | Shakers’ beliefs, architecture, etc | ERICSON, John |
| 2007/08 | Pearls before swine? Royal necklace | KELSALL, Jane |
| 2007/08 | Romanisation of Britain | FAULKNER, Neil |
| 2007/08 | Breughel to Cezanne & beyond | HEFFERNAN, Vivian |
| 2007/08 | Cambodia: sacred art of Angkor Wat and Living Arts | HEYWOOD, Denise |
| 2007/08 | Poets, painters, private lives in Venice | SJKEGGS, Douglas |
| 2007/08 | Beds & bedtime Tudor & Stuart period | BOSTWICK, David |
| 2007/08 | History of the Mermaid | PEARSON, Terry |
| 2006/07 | Klimpt and Viennese succession | SKEGGS, Douglas |
| 2006/07 | Paintings of the nativity | BOX, Richard |
| 2006/07 | Banqueting houses, 1550-1700 | BOSTWICK, David |
| 2006/07 | Florence and the Medici | SAUNDERS, Edward |
| 2006/07 | Lowry – visionary artist | HOWARD, Michael |
| 2006/07 | Orpheus and Eurydice in art and music | OLIVER, Lois |
| 2006/07 | Carmen – fatal attraction | HINDEN, Jonathan |
| 2006/07 | Anthology of love: art, music, literature | CAIRNS, Brian |
| 2006/07 | Faberge: world’s greatest goldsmith | BENJAMIN, John |
| 2006/07 | History of Porcelain | REYNOLDS, Dinah |
| 2006/07 | Rescuing Zeugma from Euphrates | SCHOFIELD, Louise |
| 2005/06 | Caricature: Hogarth to Punch | DAVIES, Andrew |
| 2005/06 | Art in Paris 1850-1900 | COLLINS, Linda |
| 2005/06 | Horatio Nelson: life and loves | TAYLOR, James |
| 2005/06 | Sex/power Hapsburg/Bourbon Spain | TURNER, Gail |
| 2005/06 | Ellen Terry and Aesthetes | HUGHES, Frances |
| 2005/06 | Hitler émigrés: impact on GB artistic | SNOWMAN, Daniel |
| 2005/06 | Edward VII and Countess of Warwick | KELSALL, Jane |
| 2005/06 | Opera: melting pot of culture | LENTON, Sarah |
| 2005/06 | Origins of English landscape garden | DESMOND, Steven |
| 2004/05 | The Medieval Inheritance | BELLENGE, Dominic, Vey Rev |
| 2004/05 | Cities of Vesuvius-Pompeii & Herculaneum | FAULKNER, Neil |
| 2004/05 | Wordsworth’s World + Revolution in Rydale: Words… | HENSON, Eithne |
| 2004/05 | Augustus & Gwen John | POLLARD, Sandra |
| 2004/05 | Henry Moore: England’s greatest sculptor | EATON, Eveline |
| 2004/05 | Revolution to Rydal: Wordsworth | HENSON, Dr Eithne |
| 2004/05 | Regency Interior | GORE, Ann |
| 2004/05 | A dealer’s story (British art market) | BAGSHAWE, Nicholas |
| 2004/05 | Introduction to English Heraldry | LATIMORE, Colin |
| 2004/05 | Medieval Inheritance | BELLENGE, Dominic, Vey Rev |
| 2004/05 | World of Carpets | TAYLOR, Roderick |
| 2004/05 | Has Listing gone too far? | SMITH, Nicola |
| 2004/05 | Elgar: Man of Contradictions | HAGUE-HOLMES, Digby |
| 2003/04 | Mozart: Magic Flute | HINDEN, Jonathan |
| 2003/04 | Romney Marsh & Churches | BOLTON, William |
| 2003/04 | English Gardens | BOLTON, James |
| 2003/04 | Magnificence of Suleyman the Magnificent | WARD, Rachel |
| 2003/04 | Lord Byron: his life & times | FORRESTER, William |
| 2003/04 | Strange Hist of Buckingham Palace | WRIGHT, Patricia |
| 2003/04 | Cut to dazzle-lead crystal | MACKDONALF-HAIG, Caroline |
| 2003/04 | Early American Civilisation | SWEENEY, Ann |
| 2003/04 | The horse in painting & sculpture | WOODGATE, Valerie |
| 2003/04 | Deck the hall | BOSTWICK, David |
| 2003/04 | Sing We Yule | WALSH, Dr |
| 2002/03 | The Impressionists | SKEGGS, Douglas |
| 2002/03 | Handel in Georgian England 1711-59 | MEDHURST,Peter |
| 2002/03 | History of long case clock | LATTIMORE, Colin |
| 2002/03 | Silent partner: History of the Picture Frame | CLIFFORD, Helen |
| 2002/03 | Angels, cherubs, hosts of heaven | FELDMAN, Frances |
| 2002/03 | History of picture frame | CLIFFORD, Helen |
| 2002/03 | Hidden Canterbury | BRYANT, Anthea |
| 2002/03 | Monet: Giverny v English style | PATRICK, Judith |
| 2002/03 | Gilbert Collection at Somerset House | SCHRODER,Timothy |
| 2002/03 | The Hugeunots: their history and influence | HANSON-SMITH, Christopher |
| 2002/03 | Comparison of Monet’s Giverny and ‘English’ style | PATRICK, Judith |
| 2002/03 | The English Fireplace | EVERLEIGH, David |
| 20010/11 | Wonder workers art of illusion | PEARCE, Bertie |
| 2001/2 | Bloomsbury Painters | POLLARD, Sandra |
| 2001/02 | Partnership of Jeykell and Lutyens | DUNCAN, Duncan |
| 2001/02 | Victoria, Albert and the Arts | TURNER, Shirley |
| 2001/02 | Gertrude Jeckyll & Sir Edwin Lutyens | DUNCAN, Dr Thomas |
| 2001/02 | Queen ViC, Prince Al & the Arts | TURNER, Shirley |
| 2001/02 | Eliz 1st to Liz Taylor | BENJAMIN, John |
| 2001/02 | Careful Collectors: fakes, forgeries and reproductions | BATTIE, David |
| 2001/02 | Intro to English Silver | PICKFORD, Ian |
| 2001/02 | Cinque Ports | BOLTON, Lt Col Dick |
| 2001/02 | Willow Pattern | GURNETT, Robin |
| 2001/02 | Sackvilles of Knole & Sissinghurst | FORRESTER, William |
| 2001/02 | Icons: art of Holy Russia | SPIRA, Antony |